A veces soy la voz del otro lado del teléfono,
a veces un aliento,
una ciudad enorme donde te encuentro a veces,
por supuesto una fecha,
un saludo que cruza el cielo velozmente,
dos ojos que te miran,
un café que te espera después de la llovizna,
una fotografía, una mano en tu mano
desesperadamente, una canción, etc.
Y siempre o casi siempre
nomás ese silencio,
donde solés colgar tus prendas íntimas.
Jorge Boccanegra, Servicios de insomnio.
George Valentin: Look at what you’ve become. You’ve become proud! You’ve become stupid!
Why does this matter? It matters to me because I think we’re setting ourselves up for trouble — trouble certainly in how we relate to each other, but also trouble in how we relate to ourselves and our capacity for self-reflection. We’re getting used to a new way of being alone together. People want to be with each other, but also elsewhere — connected to all the different places they want to be. People want to customize their lives. They want to go in and out of all the places they are because the thing that matters most to them is control over where they put their attention. So you want to go to that board meeting, but you only want to pay attention to the bits that interest you. And some people think that’s a good thing. But you can end up hiding from each other, even as we’re all constantly connected to each other.
And I think there’s evidence — and it’s not the only reason this evidence exists, but I think it’s a huge cause — we are the most in-debt, obese, addicted and medicated adult cohort in U.S. history. The problem is — and I learned this from the research — that you cannot selectively numb emotion. You can’t say, here’s the bad stuff. Here’s vulnerability, here’s grief, here’s shame, here’s fear, here’s disappointment. I don’t want to feel these. I’m going to have a couple of beers and a banana nut muffin. (Laughter) I don’t want to feel these. And I know that’s knowing laughter. I hack into your lives for a living. God. (Laughter) You can’t numb those hard feelings without numbing the other affects, our emotions. You cannot selectively numb. So when we numb those, we numb joy, we numb gratitude, we numb happiness. And then we are miserable, and we are looking for purpose and meaning, and then we feel vulnerable, so then we have a couple of beers and a banana nut muffin. And it becomes this dangerous cycle.
One of the things that I think we need to think about is why and how we numb. And it doesn’t just have to be addiction. The other thing we do is we make everything that’s uncertain certain. Religion has gone from a belief in faith and mystery to certainty. I’m right, you’re wrong. Shut up. That’s it. Just certain. The more afraid we are, the more vulnerable we are, the more afraid we are. This is what politics looks like today. There’s no discourse anymore. There’s no conversation. There’s just blame. You know how blame is described in the research? A way to discharge pain and discomfort. We perfect. If there’s anyone who wants their life to look like this, it would be me, but it doesn’t work. Because what we do is we take fat from our butts and put it in our cheeks. (Laughter) Which just, I hope in 100 years, people will look back and go, «Wow.»
(…)All of us “transfer” experiences to some extent, and at times we are not sure whether an experience was something we were told or read about, even dreamed about, or something that actually happened to us.
It is startling to realize that some of our most cherished memories may never have happened—or may have happened to someone else. I suspect that many of my enthusiasms and impulses, which seem entirely my own, have arisen from others’ suggestions, which have powerfully influenced me, consciously or unconsciously, and then been forgotten. Similarly, while I often give lectures on similar topics, I can never remember, for better or worse, exactly what I said on previous occasions; nor can I bear to look through my earlier notes. Losing conscious memory of what I have said before, and having no text, I discover my themes afresh each time, and they often seem to me brand-new. This type of forgetting may be necessary for a creative or healthy cryptomnesia, one that allows old thoughts to be reassembled, retranscribed, recategorized, given new and fresh implications.
Memory is dialogic and arises not only from direct experience but from the intercourse of many minds.
Speak, Memory by Oliver Sacks.
If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin,
Unto his nest again,
I shall not live in vain.
There are two kinds of pity. One, the weak-minded, sentimental sort, is really just the heart’s impatience to rid itself as quickly as possible of the painful experience of being moved by another person’s suffering. It is not the case of real sympathy, of feeling with the sufferer, but a way of defending yourself against someone else’s pain. The other kind, the only one that counts, is unsentimental but creative. It knows its own mind, and is determined to stand by the sufferer, patiently suffering too, to the last of its strength and even beyond.
Beware of Pity, Stefan Zweig.
My friends on the mainland think just because I live in Hawaii, I live in paradise, like a permanent vacation. We’re all just out here, sipping Mai Tais, shaking our hips, catching waves. Are they insane? Do they think we are immune to life? How can they possibly think our families are less screwed up, our cancers less fatal, our heartache less painful?